Interreferences

Format: CD

Label: Room40

Cat No: RM4146

A note from Richard Chartier
I find myself at the collision of an inflection point and more over a reflection point. 50 years on this planet. I still find it difficult to write about my work. This is not because I cannot, but because I want the listener to approach my compositions of sound as such. Focus on the sensory nature rather than an explicit narrative or reasoning.

I do not see my work as abstraction but rather purely abstract.

I chose sound as my medium after many years as a painter. I slowly came to conclusion that I no longer understood how to communicate sensation via a pigmented surface. The visual language I was using had become foreign to me.

Sound allowed me a language that was wordless, open, moving, shapeless yet full of forms, connections, and progressions. It raised questions though and these are still part of what I struggle with in the ways I chose to create and then speak of my work



why these sounds?
What is the attraction to these sounds?
how did I arrive at these compositions and their placements?


The pieces exist then as less of a statement, more of a question, but a question that will be different for each listener. For me , listening to them over and over, they will take another form as time passes. They evolve. For now though, they are in limbo on a piece of plastic or a series of lines of data

Often i am puzzled by how other artists create their work, how they come to decide arrangements, sequences of sounds or just the sounds themselves.

That is the magic of music.